The Scream is the debut studio album by British rock band Siouxsie and the Banshees, released on 13 November 1978 by Polydor Records. The album is considered a landmark recording: its innovative combination of angular guitar with a bass-led rhythm and machine-like drums played mostly on toms, made it a pioneering work of the post-punk genre.
The Scream was met with widespread acclaim and was hailed by critics as an original musical development in rock music. It has been cited as a key influence on a number of succeeding post-punk, noise rock and alternative rock acts, including Joy Division, Killing Joke, the Cure, Big Black, Sonic Youth, the Jesus and Mary Chain, Faith No More and Massive Attack.
Join Hands is the second studio album by British rock band Siouxsie and the Banshees. It was released in September 1979 by the record label Polydor. Upon its release, it was praised by the British press, including Melody Maker, Sounds, NME and Record Mirror.
Join Hands took the topic of the First World War as its inspiration. Musically, it is darker than the band's debut album The Scream: it sounds more claustrophobic and more haunting. It was the last album with the band's first recorded line-up, as guitarist John McKay and drummer Kenny Morris quit the group after a disagreement at the beginning of the British Join Hands tour, on the day of the album's release.
The record peaked at No. 13 on the UK Albums Chart. "Playground Twist" was the only single released from the album. Join Hands was reissued on vinyl in 2015, along with the very first artwork that the band had presented to Polydor in 1979.
Kaleidoscope is the third studio album by British rock band Siouxsie and the Banshees, released in 1980 by record label Polydor. With the departure of John McKay and Kenny Morris and their replacement by two new musicians, Budgie on drums and John McGeoch on guitars, the band changed their musical direction and offered an album containing a wide variety of colors. "It was almost a different band", said Siouxsie.
The album was preceded by the hit singles "Happy House" and "Christine". In the UK, Kaleidoscope quickly became their most successful album to date, climbing to No. 5 in the albums chart.
Juju is the fourth studio album by English rock band Siouxsie and the Banshees. It was recorded at Surrey Sound studio with Nigel Gray as co-producer, and was released on 19 June 1981 by record label Polydor. Two singles were released from Juju: "Spellbound" and "Arabian Knights".
The album was commercially successful in the UK. It was acclaimed by critics upon its release, with praise given particularly to John McGeoch's unconventional guitar playing and Siouxsie's vocal performances. It remains a critical favourite and is seen as a landmark album of post-punk.
A Kiss in the Dreamhouse is the fifth studio album by British rock band Siouxsie and the Banshees. It was released on 5 November 1982 by Polydor Records. The record marked a change of musical direction, as the group used strings for the first time and experimented in the studio. Guitarist John McGeoch played more instruments, including recorder and piano. For Julian Marszalek of The Quietus, the release proved the Banshees to be "one of the great British psychedelic bands."
Both a critical and commercial success, A Kiss in the Dreamhouse peaked at No. 11 on the UK Albums Chart. In August 2007 it was ranked No. 1 on Mojo magazine's list of the best albums of 1982. A 180g vinyl LP reissue of the album, remastered from the original ¼” tapes and cut half-speed at Abbey Road Studios by Miles Showell, was released in September 2018.
Hyæna is the sixth studio album by British rock band Siouxsie and the Banshees, released in 1984 by Polydor. The opening track, "Dazzle", featured strings played by musicians of the (LSO) London Symphonic Orchestra, a 27-piece orchestra called the "Chandos Players"; it was scored from a tune that Siouxsie Sioux had composed on piano.[2] Hyæna is the only studio album that guitarist Robert Smith of the Cure composed and recorded with Siouxsie and the Banshees.
In the United States, Hyæna was the first Banshees studio album to be released on Geffen Records, which also signed to reissue the rest of the band's catalog. Prior to that, "Dear Prudence" had become the band's biggest hit in the UK, reaching number 3 in September of the previous year. The song initially released as a stand-alone single in Europe, was issued in North America in May 1984. Consequently, it was finally added to the track listing of the US album version. Hyæna was the first Siouxsie and the Banshees album to enter the Billboard 200 in the US.
Hyæna was reissued on CD in a remastered, expanded edition in 2009. A 180 gram vinyl reissue of the album, remastered from the original ¼" tapes and cut half-speed at Abbey Road Studios by Miles Showell, was released in December 2018.
Tinderbox is the seventh studio album by English rock band Siouxsie and the Banshees. It was released on 21 April 1986 by Wonderland and Polydor Records in the United Kingdom and by Geffen Records in the United States. It was the band's first full-length effort recorded with then-new guitarist John Valentine Carruthers; Carruthers had previously only added a few parts on the 1984 EP The Thorn. The first recording sessions for the album took place at Hansa by the Wall in Berlin in May 1985.
Two songs were released as singles between late 1985 and early 1986, "Cities in Dust" and "Candyman". Tinderbox peaked at number 13 on the UK Albums Chart and at number 88 on the US Billboard 200.
PopMatters included it on their list of the "12 essential alternative rock albums from the 1980s", and alternative rock artists including Billy Howerdel of A Perfect Circle, Jean-Benoît Dunckel of Air, Flea of Red Hot Chili Peppers and Rachel Goswell of Slowdive, have cited it as an inspiration.
To celebrate the 35th anniversary of Tinderbox, a burgundy color vinyl edition was released in October 2021.
Through the Looking Glass is the eighth studio album by English rock band Siouxsie and the Banshees. The album is a collection of cover versions. It was co-produced with Mike Hedges and released in March 1987 on Polydor. Through the Looking Glass was preceded by the single "This Wheel's on Fire". It was the second and final album recorded with guitarist John Valentine Carruthers. Some of their cover songs were praised by the original artists themselves.
