Ancient Dreams in a Modern Land Album • MARINA • 2021

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Plastic Hearts Album • Miley Cyrus • 2020 15 songs • 50 minutes

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Between Us (Deluxe Version) Album • Little Mix • 2021

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McCartney Album • Paul McCartney • 1970

McCartney is the debut solo album by English musician Paul McCartney, released on 17 April 1970 by Apple Records. McCartney recorded it in secrecy, mostly using basic home-recording equipment at his house in St John's Wood. Mixing and some recording took place at professional London studios. In its loosely arranged performances, McCartney eschewed the polish of the Beatles' past records in favour of a lo-fi style. Apart from occasional contributions by his wife, Linda, McCartney performed the entire album alone by overdubbing on four-track tape.

McCartney recorded the album during a period of depression and confusion, following John Lennon's private departure from the Beatles in September 1969. Conflicts over the release of McCartney's album further estranged him from his bandmates, as he refused to delay the album's release to allow for Apple's previously scheduled titles, notably the Beatles' album Let It Be. A press release in the form of a self-interview supplied with UK promotional copies of McCartney led to the Beatles' break-up.

McCartney received mostly negative reviews, while McCartney was vilified for seemingly ending the Beatles. The record was widely criticised for being under-produced and for its unfinished songs, although the ballad "Maybe I'm Amazed" was consistently singled out for praise. Commercially, McCartney benefited from the publicity surrounding the break-up; it held the number 1 position for three weeks on the US Billboard Top LPs before yielding that position to Let It Be. It peaked at number 2 in Britain.

In later years, the album was credited for having had an impact on DIY musicians and lo-fi music styles. McCartney also recorded two successor albums: McCartney II (1980) and McCartney III (2020). In 2011, the first McCartney record was reissued with bonus tracks as part of the Paul McCartney Archive Collection.

Section.80 Album • Kendrick Lamar • 2011

Section.80 is the debut studio album by American rapper Kendrick Lamar. It was released on July 2, 2011, by Top Dawg Entertainment. Leading up to its release, Lamar previously produced various mixtapes under the moniker K.Dot. Following the 2010 release of Overly Dedicated, Lamar began working on Section.80.

The production of Section.80 was mainly handled by TDE in-house producers from production group Digi+Phonics, as well as THC, Tommy Black, Wyldfyer, Terrace Martin and J. Cole. A concept album, it features lyrical themes delivered by Lamar such as the 1980s crack epidemic, racism and the medication tolerance of Generation Y. The album features guest appearances from GLC, Colin Munroe, Ashtrobot, BJ the Chicago Kid, Schoolboy Q, Ab-Soul and vocals from late singer-songwriter Alori Joh.

Section.80 received generally positive reviews from critics upon its release. The album debuted at number 113 on the US Billboard 200 and as of February 2014, it has sold 130,000 copies domestically. In April 2017, it was certified gold by the Recording Industry Association of America (RIAA).

Diana Ross Album • Diana Ross • 1970

Diana Ross is the debut studio album by American singer Diana Ross, released on June 19, 1970 by Motown Records. The ultimate test to see if the former Supremes frontwoman could make it as a solo act, the album was overseen by the songwriting-producing team of Nickolas Ashford & Valerie Simpson, who had Ross re-record several of the songs the duo had recorded on other Motown acts. Johnny Bristol, producer of her final single with The Supremes, contributed on The Velvelettes cover "These Things Will Keep Me Loving You."

The album reached number 19 on the US Billboard 200 and peaked at number one on the US Top R&B/Hip-Hop Albums. Diana Ross would later go on to sell 500,000 copies in the United States. Ross' first solo single, "Reach Out and Touch (Somebody's Hand)", sold over 500,000 copies in the US, but was somewhat of a disappointment in terms of chart success, when it charted at number 20 on the Billboard Hot 100. Its follow-up, a cover of Marvin Gaye & Tammi Terrell's "Ain't No Mountain High Enough", peaked at number one on the Hot 100, selling approximately 1,245,000 copies in the US, while garnering a Grammy Award nomination for Best Female Pop Vocal Performance.

The 2002 Expanded Edition re-release of the album featured a number of bonus tracks, including four from her unreleased sessions with 5th Dimension producer Bones Howe. These included two Laura Nyro covers which would subsequently be recorded by Barbra Streisand for her 1971 album Stoney End as well as "Love's Lines, Angles and Rhymes" which become a Fifth Dimension hit in 1971.

Bleach: Deluxe Edition Album • Nirvana • 1989

Bleach is the debut studio album by American rock band Nirvana, released on June 15, 1989, by Sub Pop. After the release of their debut single "Love Buzz" on Sub Pop in November 1988, Nirvana rehearsed for two to three weeks in preparation for recording a full-length album. The main recording sessions for Bleach took place at Reciprocal Recording in Seattle, Washington between December 1988 and January 1989. It is the only Nirvana album released on the Sub Pop label and their only album to feature drummer Chad Channing.

Bleach did not chart upon initial release, but was well received by critics. When reissued internationally by Geffen Records in 1992 following the success of Nirvana's second album, Nevermind, Bleach peaked at number 89 on the Billboard 200, peaked at number 33 on the UK Albums Chart and number 34 on the Australian albums chart. In 2009, Sub Pop released a 20th anniversary edition of Bleach featuring a live recording of a 1990 Nirvana performance in Portland, Oregon as bonus material.

Bleach had sold 40,000 copies in North America before the release of Nevermind. It has since been certified platinum by the RIAA and has sold more than 1.9 million copies in the United States alone. It is Sub Pop's best-selling album to date and is unlikely to be surpassed by competitors. Frontman Kurt Cobain's death in April 1994 also led to a resurgence in the album's popularity, reaching number one on the Top Pop Catalog Albums chart. In April 2019, Bleach was ranked No. 13 on Rolling Stone's 50 Greatest Grunge Albums list

The Clash Album • The Clash • 1977

The Clash is the debut studio album by English punk rock band the Clash. It was released on 8 April 1977 through CBS Records. Written and recorded over three weeks in February 1977 for £4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time.

Songs on the album were composed by guitarists Joe Strummer and Mick Jones, with the notable exception of the reggae cover "Police and Thieves". Several songs from these sessions, including "Janie Jones", "White Riot", and "London's Burning" became classics of the punk genre and were among the first punk songs to see significant presence on singles charts. The album featured Jones and Strummer sharing guitar and vocal duties, with Paul Simonon on bass and Terry Chimes on drums.

The album was not released in the US until 1979, making it their second US release. The US version also included a significantly different track listing, changing the track order and swapping out several songs for non-album tracks recorded in the interim.

Boy Album • U2 • 1980

Boy is the debut studio album by Irish rock band U2. It was released on 20 October 1980 by Island Records and was produced by Steve Lillywhite. Boy contains songs from the band's 40-song repertoire at the time, including two tracks that were re-recorded from their original versions on the group's debut release, the EP Three.

Boy was recorded from July to September 1980 at Dublin's Windmill Lane Studios, which became U2's chosen recording location during the 1980s. It was their first time working with Lillywhite, who suggested recording drummer Larry Mullen Jr. playing in a stairwell, and recording smashed bottles and forks played against a spinning bicycle wheel. The band found Lillywhite to be very encouraging and creative, and he subsequently became a frequent producer of their recorded work. Thematically, the album's lyrics reflect on adolescence, innocence, and the passage into adulthood, themes represented on its cover artwork through the photo of a young boy's face.

Boy received generally positive reviews and included one of U2's first singles to receive airplay on US radio, "I Will Follow". The release was followed by the band's first tour of continental Europe and the US, the Boy Tour. The album peaked on the UK chart at number 52 in August 1981 and in the US at number 63. In 2003, Boy was ranked 417th on Rolling Stone's list of "The 500 Greatest Albums of All Time". In 2008, a remastered edition of Boy was released.

The Soulful Moods of Marvin Gaye Album • Marvin Gaye • 2019

The Soulful Moods of Marvin Gaye is the debut studio album by Marvin Gaye, released in 1961, and the second long-playing album (TM-221) released by Motown. The first was Hi... We're the Miracles (TM-220). It is most notable as the album that caused the first known struggle of Gaye's turbulent tenure with the label.

Between his release from the U.S. Air Force in 1957 and signing with Motown Records's Tamla label in 1961, Marvin Gaye was struggling to find his identity in the music business. A long admirer of different forms of music from early rock 'n' roll, blues, jazz and doo-wop, Gaye sought to mix the styles of Nat King Cole, Billy Eckstine, Little Willie John and Jesse Belvin, first getting involved in groups such as the Marquees, which he joined following his honorable discharge from a tenure in the Air Forces, which soon replaced the original members of Harvey Fuqua's group The Moonglows under the moniker, Harvey and the New Moonglows, with Reese Palmer doing most of the leads though Gaye did take some lead vocal parts, including speaking in the intro and ending of the single, "The Twelve Months of the Year", and sung all lead in the song, "Mama Loochie". Both songs were released on the Chess label in 1959 and during this period the group sung background for notable Chess acts including Chuck Berry on the song "Almost Grown", and Etta James' "Chained to My Rocking Chair".

After living in Chicago for two years and following a tour in Detroit, Fuqua decided to split up the group and take Gaye with him to help get him work in the musically-developing city. Fuqua then signed Gaye to a contract with his Harvey and Tri-Phi Records and also assigned him to work with his then-girlfriend Gwen Gordy's Anna label. Gaye would do drumming work for acts on Tri-Phi and Harvey including, most notably, The Spinners, on their debut hit, "That's What Girls Are Made For".

In December 1960, Gaye introduced himself to Motown CEO Berry Gordy at Motown's annual Christmas party by playing piano and singing "Mr. Sandman". Gordy was impressed with Gaye and later began working out a negotiation deal with Fuqua to sign the young singer to Gordy's Motown empire. Fuqua agreed to sell 50% of his interest in Gaye to Gordy, which led to Gordy presenting Gaye with a lucrative deal, which he signed with the following month. Gaye was then assigned to Motown's Tamla label, for which he'd record with for the next 20 years. In the meantime, Gaye met and fell in love with one of Gordy's sisters, Anna Gordy and the couple would begin dating during the spring of 1961, marrying within a year.