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Friday 17 June 2022

Brighter Days Album • Sigala • 2018

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Get To Know Album • Becky Hill • 2019

Get to Know is the debut compilation album by British pop singer Becky Hill. It was released on 27 September 2019 through Polydor Records as the singer's first project, containing hit singles and new songs that were recorded by her throughout her musical career from 2013 to 2019. The compilation includes the number one song "Gecko (Overdrive)" and the top 40 singles "Afterglow", "Piece of Me", "False Alarm", "Back & Forth", "Wish You Well" and "Lose Control". Get to Know peaked at number 20 on the UK Albums Chart and was certified gold by the British Phonographic Industry.

Ancient Dreams in a Modern Land Album • MARINA • 2021

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Plastic Hearts Album • Miley Cyrus • 2020 15 songs • 50 minutes

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Between Us (Deluxe Version) Album • Little Mix • 2021

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McCartney Album • Paul McCartney • 1970

McCartney is the debut solo album by English musician Paul McCartney, released on 17 April 1970 by Apple Records. McCartney recorded it in secrecy, mostly using basic home-recording equipment at his house in St John's Wood. Mixing and some recording took place at professional London studios. In its loosely arranged performances, McCartney eschewed the polish of the Beatles' past records in favour of a lo-fi style. Apart from occasional contributions by his wife, Linda, McCartney performed the entire album alone by overdubbing on four-track tape.

McCartney recorded the album during a period of depression and confusion, following John Lennon's private departure from the Beatles in September 1969. Conflicts over the release of McCartney's album further estranged him from his bandmates, as he refused to delay the album's release to allow for Apple's previously scheduled titles, notably the Beatles' album Let It Be. A press release in the form of a self-interview supplied with UK promotional copies of McCartney led to the Beatles' break-up.

McCartney received mostly negative reviews, while McCartney was vilified for seemingly ending the Beatles. The record was widely criticised for being under-produced and for its unfinished songs, although the ballad "Maybe I'm Amazed" was consistently singled out for praise. Commercially, McCartney benefited from the publicity surrounding the break-up; it held the number 1 position for three weeks on the US Billboard Top LPs before yielding that position to Let It Be. It peaked at number 2 in Britain.

In later years, the album was credited for having had an impact on DIY musicians and lo-fi music styles. McCartney also recorded two successor albums: McCartney II (1980) and McCartney III (2020). In 2011, the first McCartney record was reissued with bonus tracks as part of the Paul McCartney Archive Collection.

Section.80 Album • Kendrick Lamar • 2011

Section.80 is the debut studio album by American rapper Kendrick Lamar. It was released on July 2, 2011, by Top Dawg Entertainment. Leading up to its release, Lamar previously produced various mixtapes under the moniker K.Dot. Following the 2010 release of Overly Dedicated, Lamar began working on Section.80.

The production of Section.80 was mainly handled by TDE in-house producers from production group Digi+Phonics, as well as THC, Tommy Black, Wyldfyer, Terrace Martin and J. Cole. A concept album, it features lyrical themes delivered by Lamar such as the 1980s crack epidemic, racism and the medication tolerance of Generation Y. The album features guest appearances from GLC, Colin Munroe, Ashtrobot, BJ the Chicago Kid, Schoolboy Q, Ab-Soul and vocals from late singer-songwriter Alori Joh.

Section.80 received generally positive reviews from critics upon its release. The album debuted at number 113 on the US Billboard 200 and as of February 2014, it has sold 130,000 copies domestically. In April 2017, it was certified gold by the Recording Industry Association of America (RIAA).

Diana Ross Album • Diana Ross • 1970

Diana Ross is the debut studio album by American singer Diana Ross, released on June 19, 1970 by Motown Records. The ultimate test to see if the former Supremes frontwoman could make it as a solo act, the album was overseen by the songwriting-producing team of Nickolas Ashford & Valerie Simpson, who had Ross re-record several of the songs the duo had recorded on other Motown acts. Johnny Bristol, producer of her final single with The Supremes, contributed on The Velvelettes cover "These Things Will Keep Me Loving You."

The album reached number 19 on the US Billboard 200 and peaked at number one on the US Top R&B/Hip-Hop Albums. Diana Ross would later go on to sell 500,000 copies in the United States. Ross' first solo single, "Reach Out and Touch (Somebody's Hand)", sold over 500,000 copies in the US, but was somewhat of a disappointment in terms of chart success, when it charted at number 20 on the Billboard Hot 100. Its follow-up, a cover of Marvin Gaye & Tammi Terrell's "Ain't No Mountain High Enough", peaked at number one on the Hot 100, selling approximately 1,245,000 copies in the US, while garnering a Grammy Award nomination for Best Female Pop Vocal Performance.

The 2002 Expanded Edition re-release of the album featured a number of bonus tracks, including four from her unreleased sessions with 5th Dimension producer Bones Howe. These included two Laura Nyro covers which would subsequently be recorded by Barbra Streisand for her 1971 album Stoney End as well as "Love's Lines, Angles and Rhymes" which become a Fifth Dimension hit in 1971.

Thursday 16 June 2022

Bleach: Deluxe Edition Album • Nirvana • 1989

Bleach is the debut studio album by American rock band Nirvana, released on June 15, 1989, by Sub Pop. After the release of their debut single "Love Buzz" on Sub Pop in November 1988, Nirvana rehearsed for two to three weeks in preparation for recording a full-length album. The main recording sessions for Bleach took place at Reciprocal Recording in Seattle, Washington between December 1988 and January 1989. It is the only Nirvana album released on the Sub Pop label and their only album to feature drummer Chad Channing.

Bleach did not chart upon initial release, but was well received by critics. When reissued internationally by Geffen Records in 1992 following the success of Nirvana's second album, Nevermind, Bleach peaked at number 89 on the Billboard 200, peaked at number 33 on the UK Albums Chart and number 34 on the Australian albums chart. In 2009, Sub Pop released a 20th anniversary edition of Bleach featuring a live recording of a 1990 Nirvana performance in Portland, Oregon as bonus material.

Bleach had sold 40,000 copies in North America before the release of Nevermind. It has since been certified platinum by the RIAA and has sold more than 1.9 million copies in the United States alone. It is Sub Pop's best-selling album to date and is unlikely to be surpassed by competitors. Frontman Kurt Cobain's death in April 1994 also led to a resurgence in the album's popularity, reaching number one on the Top Pop Catalog Albums chart. In April 2019, Bleach was ranked No. 13 on Rolling Stone's 50 Greatest Grunge Albums list

The Clash Album • The Clash • 1977

The Clash is the debut studio album by English punk rock band the Clash. It was released on 8 April 1977 through CBS Records. Written and recorded over three weeks in February 1977 for £4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time.

Songs on the album were composed by guitarists Joe Strummer and Mick Jones, with the notable exception of the reggae cover "Police and Thieves". Several songs from these sessions, including "Janie Jones", "White Riot", and "London's Burning" became classics of the punk genre and were among the first punk songs to see significant presence on singles charts. The album featured Jones and Strummer sharing guitar and vocal duties, with Paul Simonon on bass and Terry Chimes on drums.

The album was not released in the US until 1979, making it their second US release. The US version also included a significantly different track listing, changing the track order and swapping out several songs for non-album tracks recorded in the interim.