Sunday, 19 June 2022
Friday, 17 June 2022
Get To Know Album • Becky Hill • 2019
McCartney Album • Paul McCartney • 1970
McCartney recorded the album during a period of depression and confusion, following John Lennon's private departure from the Beatles in September 1969. Conflicts over the release of McCartney's album further estranged him from his bandmates, as he refused to delay the album's release to allow for Apple's previously scheduled titles, notably the Beatles' album Let It Be. A press release in the form of a self-interview supplied with UK promotional copies of McCartney led to the Beatles' break-up.
McCartney received mostly negative reviews, while McCartney was vilified for seemingly ending the Beatles. The record was widely criticised for being under-produced and for its unfinished songs, although the ballad "Maybe I'm Amazed" was consistently singled out for praise. Commercially, McCartney benefited from the publicity surrounding the break-up; it held the number 1 position for three weeks on the US Billboard Top LPs before yielding that position to Let It Be. It peaked at number 2 in Britain.
In later years, the album was credited for having had an impact on DIY musicians and lo-fi music styles. McCartney also recorded two successor albums: McCartney II (1980) and McCartney III (2020). In 2011, the first McCartney record was reissued with bonus tracks as part of the Paul McCartney Archive Collection.
Section.80 Album • Kendrick Lamar • 2011
The production of Section.80 was mainly handled by TDE in-house producers from production group Digi+Phonics, as well as THC, Tommy Black, Wyldfyer, Terrace Martin and J. Cole. A concept album, it features lyrical themes delivered by Lamar such as the 1980s crack epidemic, racism and the medication tolerance of Generation Y. The album features guest appearances from GLC, Colin Munroe, Ashtrobot, BJ the Chicago Kid, Schoolboy Q, Ab-Soul and vocals from late singer-songwriter Alori Joh.
Section.80 received generally positive reviews from critics upon its release. The album debuted at number 113 on the US Billboard 200 and as of February 2014, it has sold 130,000 copies domestically. In April 2017, it was certified gold by the Recording Industry Association of America (RIAA).