The album was moderately successful, peaking at number 17 on the UK Albums Chart during a 15-week run. It is often credited, though the claim is sometimes disputed, as the first major "British folk rock" album (this term is not to be confused with American-style folk rock, which had first achieved mainstream popularity on both sides of the Atlantic with the Byrds' early work several years prior). The popularity of Liege & Lief did a great deal to establish the new style commercially and artistically as a distinct genre. In an audience vote at the BBC Radio 2 Folk Awards in 2006, the album was voted "Most Influential Folk Album of All Time". It was voted number 254 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).
As a teenager in the late 1950s, he played a variety of instruments such as guitar, harmonica, keyboards and saxophone for several Irish showbands, covering the popular hits of that time. Known as "Van the Man" to his fans, Morrison rose to prominence in the mid 1960s as the lead singer of the Northern Irish R&B and rock band Them. With Them, he recorded the garage band classic "Gloria".
Under the pop-oriented guidance of Bert Berns, Morrison's solo career began in 1967 with the release of the hit single "Brown Eyed Girl". After Berns's death, Warner Bros. Records bought out Morrison's contract and allowed him three sessions to record Astral Weeks (1968). While initially a poor seller, the album has become regarded as a classic. Moondance (1970) established Morrison as a major artist, and he built on his reputation throughout the 1970s with a series of acclaimed albums and live performances.
Much of Morrison's music is structured around the conventions of soul music and early rhythm and blues. An equal part of his catalogue consists of lengthy, spiritually inspired musical journeys that show the influence of Celtic tradition, jazz and stream-of-consciousness narrative, such as the album Astral Weeks. The two strains together are sometimes referred to as "Celtic soul". His live performances have been described as "transcendental" and "inspired", and his music as attaining "a kind of violent transcendence".
Morrison's albums have performed well in Ireland and the UK, with more than 40 reaching the UK top 40. He has scored top ten albums in the UK in four consecutive decades, following the success of 2021's Latest Record Project, Volume 1. Eighteen of his albums have reached the top 40 in the United States, twelve of them between 1997 and 2017. Since turning 70 in 2015, he has released - on average - more than an album a year. He has received two Grammy Awards, the 1994 Brit Award for Outstanding Contribution to Music, the 2017 Americana Music Lifetime Achievement Award for Songwriting and has been inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In 2016, he was knighted for services to the music industry and to tourism in Northern Ireland.
Journey had their biggest commercial success between 1978 and 1987, when Steve Perry was lead vocalist; they released a series of hit songs, including "Don't Stop Believin'" (1981), which in 2009 became the top-selling track in iTunes history among songs not released in the 21st century. Escape, Journey's seventh and most successful album, reached number one on the Billboard 200 and yielded another of their most popular singles, "Open Arms". The 1983 follow-up album, Frontiers, was almost as successful in the United States, reaching number two and spawning several successful singles; it broadened the band's appeal in the United Kingdom, where it reached number six on the UK Albums Chart. Journey enjoyed a successful reunion in the mid-1990s and have since regrouped twice; first with Steve Augeri from 1998 to 2006, then with Arnel Pineda from 2007 to the present.
Sales have resulted in 25 gold and platinum albums, in addition to the 15-time platinum RIAA Diamond Certified, 1988's Greatest Hits album. They have had 19 top-40 singles in the US (the second-most without a Billboard Hot 100 number-one single behind Electric Light Orchestra with 20), six of which reached the top 10 of the US chart and two of which reached number one on other Billboard charts, and a number-six hit on the UK Singles Chart in "Don't Stop Believin'". In 2005, "Don't Stop Believin'" reached number three on iTunes downloads. Originally a progressive rock band, Journey was described by AllMusic as having cemented a reputation as "one of America's most beloved (and sometimes hated) commercial rock/pop bands" by 1978, when they redefined their sound by embracing pop arrangements on their fourth album, Infinity.
According to the Recording Industry Association of America, Journey has sold 48 million albums in the US, making them the 25th-best selling band. Their worldwide sales have reached over 100 million records globally, making them one of the world's best-selling bands of all time. A 2005 USA Today opinion poll named Journey the fifth-best US rock band in history.[14][15] Their songs have become arena rock staples and are still played on rock radio stations around the world. Journey ranks number 96 on VH1's 100 Greatest Artists of All Time.
Journey was inducted into the Rock and Roll Hall of Fame with the class of 2017. Inductees included lead singer Steve Perry, guitarist Neal Schon, keyboardists Jonathan Cain and Gregg Rolie, bassist Ross Valory, and drummers Aynsley Dunbar and Steve Smith.
With the help of producer Roy Halee, the album followed a similar musical pattern as their Bookends LP, partly abandoning their traditional style to incorporate elements of rock, R&B, gospel, jazz, world music, pop and other genres. It was described as their "most effortless record and their most ambitious".
Bridge Over Troubled Water was released on January 26, 1970, and several re-releases followed. The album was mixed and released in both stereo and quadraphonic. Columbia Records released a 40th Anniversary Edition on March 8, 2011, which includes two DVDs, including the politically themed TV special Songs of America (1969), the documentary The Harmony Game, additional liner notes and a booklet. Other reissues contain bonus tracks, such as the 2001 version, which covers the demo tapes of "Feuilles-O" and "Bridge over Troubled Water". Contemporary critical reception to Bridge was initially mixed, but retrospective reviews of the album have been laudatory, and it is considered by many to be the duo's best album.
Despite numerous accolades, the duo decided to split up, and parted company later in 1970; Garfunkel continued his film career, while Simon worked intensely with music. Both artists released solo albums in the following years. Bridge includes two of the duo's most critically acclaimed and commercially successful songs, "Bridge over Troubled Water" and "The Boxer", which were listed on Rolling Stone's 500 Greatest Songs of All Time. Critically and commercially successful, the album topped the charts in over ten countries and received two Grammy Awards, plus four more for the title song. The album sold around 25 million records; making it at the time of release the best-selling album of all time. It has been ranked on several lists, including at number 172 on Rolling Stone's 500 Greatest Albums of All Time.
The album peaked at number 10 on the UK Albums Chart, and was ranked number 991 in the 2000 book All Time Top 1000 Albums.
This was the only Depeche Mode album with Vince Clarke as a member. Clarke wrote most of the songs for the band, before departing to form Yazoo and later Erasure.
The album is significantly lighter in tone and melody than their later work, a direction which can largely be attributed to Clarke's writing. After he left, Martin Gore took over songwriting duties, writing almost all of the band's material. Later albums written by him would explore darker subjects and melodies.
When interviewed by Simon Amstell for Channel 4's Popworld programme in 2005, Gore and Fletcher both stated that the track "What's Your Name?" was their least favourite Depeche Mode song of all time.
Upon its release, Speak & Spell received generally positive reception from critics. Record Mirror praised Depeche Mode's smart simplicity and noted the album offers "much to admire and little to disappoint." Reviewer Sunie commented that the band's chief skill "lies in making their art sound artless; simple synthesiser melodies, Gahan's tuneful but undramatic singing and a matter-of-fact, gimmick-free production all help achieve this unforced effect." As a whole she describes it as "a charming, cheeky collection of compulsive dance tunes". Mike Stand of Smash Hits wrote: "Synthesisers and bubblegum go together like tinned peaches and Carnation, hence [Depeche Mode's] hit singles: melody, uncluttered electronics and nice voices in humanising harmony." Paul Morley of the New Musical Express described the album as "generous, silly, susceptible electro-tickled pop... that despite its relentless friskiness and unprincipled cheerfulness is encouraging not exasperating", noting the music's "diverting vitality", and concluding that "Depeche Mode, apparently, could quickly move... far up and away from constructing slightly sarcastic jingles."
Paul Colbert of Melody Maker felt that Depeche Mode speak with "a winning immediacy" and called the album "a wriggling giant of motivation, persuading each muscle to jump in time with the music", while at the same time criticising the presence of certain tracks such as "Nodisco" that "repeat earlier thoughts and feels without adding fresh views." Rob White, writing for the Christchurch Press, was less positive, calling the music on Speak & Spell "instant pop, instantly disposable, as precious as the gladwrapped swan on the... cover", remarking that the songs "would actually blow away in the wind... if it wasn't for their ability to chance upon melody hooks that drag you along without any real protest" and ultimately calling the album "tedious". The Village Voice's Robert Christgau dismissed the bulk of the album as "tuneful pap" that "crosses Meco (without the humble functionalism), Gary Numan (without the devotion to surface), and Kraftwerk (without the humor—oh, definitely without the humor)."
In a retrospective review for AllMusic, Ned Raggett described Speak & Spell as "at once both a conservative, functional pop record and a groundbreaking release", as well as "an undiluted joy." Nitsuh Abebe of Pitchfork said that the album endures "not as stylish futurism (not anymore) but as the happy noises of teenagers who believed it to be stylish futurism—and with a charming earnestness." In January 2005, Speak & Spell was included as an "essential" album in Mojo magazine's "Depeche Mode + the Story of Electro-Pop" special edition.
Donovan - Epistle to Dippy
— John Peel's Playing Now (@dave_sticko) May 29, 2024
Played On Show 12/07/1967https://t.co/mgilP0QC5L pic.twitter.com/b01NFds4cN
Avril Lavigne - Anything but Ordinary
Avril Lavigne - Everything Back but You
Avril Lavigne - Hello Heartache
Avril Lavigne - I Can Do Better
Avril Lavigne - I Don't Have to Try
Avril Lavigne - Keep Holding On
Avril Lavigne - My Happy Ending
Avril Lavigne - One of Those Girls
Avril Lavigne - The Best Damn Thing
Avril Lavigne - Things I'll Never Say
Avril Lavigne - Too Much to Ask
Avril Lavigne - When You're Gone
Katy Perry - By the Grace of God
Katy Perry - Chained to the Rhythm
Katy Perry - Choose Your Battles
Katy Perry - Every Day Is a Holiday
Katy Perry - Hummingbird Heartbeat
Katy Perry - If You Can Afford Me
Katy Perry - I'm Still Breathing
Katy Perry - International Smile
Katy Perry - Last Friday Night (T.G.I.F.)
Katy Perry - Not Like the Movies
Katy Perry - The One That Got Away
Katy Perry - This Is How We Do
Katy Perry - Waking Up in Vegas
Katy Perry - When There's Nothing Left
Katy Perry - Who Am I Living For?
Madonna - Another Suitcase in Another Hall
Madonna - Don't Cry for Me Argentina
Madonna - Drowned World/Substitute for Love
Madonna - Give Me All Your Luvin'
Madonna - Love Don't Live Here Anymore
Madonna - Me Against the Music
Madonna - Nothing Really Matters
Madonna - The Power of Good-Bye
Madonna - This Used To Be My Playground
Madonna - What It Feels Like for a Girl
Avril Lavigne - Anything but Ordinary
Avril Lavigne - Everything Back but You
Avril Lavigne - Hello Heartache
Avril Lavigne - I Can Do Better
Avril Lavigne - I Don't Have to Try
Avril Lavigne - Keep Holding On
Avril Lavigne - My Happy Ending
Avril Lavigne - One of Those Girls
Avril Lavigne - The Best Damn Thing
Avril Lavigne - Things I'll Never Say
Avril Lavigne - Too Much to Ask
Avril Lavigne - When You're Gone
John Mayer - Who You Love (featuring Katy Perry
Katy Perry - By the Grace of God
Katy Perry - Chained to the Rhythm
Katy Perry - Choose Your Battles
Katy Perry - Every Day Is a Holiday
Katy Perry - Hummingbird Heartbeat
Katy Perry - If You Can Afford Me
Katy Perry - I'm Still Breathing
Katy Perry - International Smile
Katy Perry - Last Friday Night (T.G.I.F.)
Katy Perry - Not Like the Movies
Katy Perry - The One That Got Away
Katy Perry - This Is How We Do
Katy Perry - Waking Up in Vegas
Katy Perry - When There's Nothing Left
Katy Perry - Who Am I Living For?
Madonna - Another Suitcase in Another Hall
Madonna - Don't Cry for Me Argentina
Madonna - Drowned World/Substitute for Love
Madonna - Give Me All Your Luvin'
Madonna - Love Don't Live Here Anymore
Madonna - Me Against the Music
Madonna - Nothing Really Matters
Madonna - The Power of Good-Bye
Madonna - This Used To Be My Playground
Madonna - What It Feels Like for a Girl
Motorhead - (Don't Let 'em) Grind Ya Down
Motorhead - (Don't Need) Religion
Motorhead - (We Are) The Road Crew
Motorhead - Another Perfect Day
Motorhead - Back at the Funny Farm
Motorhead - Beer Drinkers and Hell Raisers
Motorhead - Dancing on Your Grave
Motorhead - Dead Men Tell No Tales
Motorhead - I'll Be Your Sister
Motorhead - I'm Your Witchdoctor
Motorhead - Instro (Instrumental)
Motorhead - Iron Horse / Born to Lose
Motorhead - Keep Us on the Road
Motorhead - Love Me Like a Reptile
Motorhead - Marching Off to War
Motorhead - Nothing Up My Sleeve
Motorhead - Ridin' with the Driver
Motorhead - Shoot You in the Back
Motorhead - Stone Dead Forever
Motorhead - Stone Deaf in the U.S.A
Motorhead - The Chase Is Better Than the Catch